![]() Cole logged on to Twitter bright and early this morning to double down on his alleged Noname diss, but also to say that he honors and appreciates her. ![]() ![]() Photo: Issac Baldizon/NBAE via Getty Images
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![]() Margaret Tait, Blue Black Permanent, 1992. I might write my thoughts down elsewhere, get in touch if you would like to hear them. There’s lots I could say but far too much to fit on this card. I’ve been thinking a lot about working with Margaret and her films. It’s a film you need to watch more than once-there are so many layers to it. This is the second time I’ve seen Blue Black Permanent this year. I have not seen the film since 1992 at the film festival. Some-many-films age but Blue Black Permanent does not seem to have done so. ![]() Wonderful to see Blue Black Permanent on a big screen again-and in a restored format. Fascinating to see the themes and imagery from Margaret’s shorts come through and be developed. Comments from ‘The Persistence of Spirit’: Blue Black Permanent (Screening & Reunion of Cast and Crew) on 15 June 2019 at Summerhall, Edinburgh ![]() Three strong female voices weave a spectacular tapestry of sound. Run Boy Run exists in the tension between tradition and frontier. ![]() ![]() Run Boy Run continues this journey into music that is dynamic, orchestral, and overflowing with beauty. In recent years, bands like Nickel Creek, Crooked Still, and others have revived a sense of innovation in traditional American music. The unique sound of Run Boy Run is rooted in the traditional music of the Appalachian South. |
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